Pisces 27° (March 18)

 

I feel like I’ve been flung off of a carousel run amok. But it was one I wanted to get off of so I’m grateful for the fact despite feeling a bit bruised by the violence of the landing. A typicaly Monday in many ways awaits. Yet I’m finding myself feeling anxious over silly things like getting cars fixed or other banalities of life. I don’t know about you, reader, but for me that is a sign of something underlying.

There comes a day, after a sleepless night, when the anxieties of life morph into purpose. The impetus to express what that is inevitably fades in the attempt. There is the retreating regret that it has taken fifty some odd years for some semblance of revelation to occur. It is alchemical, the shift. And it must be total.

I’ve always suspected that life couldn’t be lived in half measures, though I see others do so, seemingly succesfully, all the time.

For me, on this day marking [nearly] the first third of a year past my [redacted] birthday, I can be filled with recrimination for any so-called waste of time I caused or I can see it as an accumulation of fuel to further myself and “sin no more.” And just plan to live longer.

I glean in myself a dual purpose. A most original but heretofore largely ignored, save in spurts, dedication to the theatre; and one devoted to the continually unfolding discovery of my spiritual self. I enjoy the fact that stage and sacred space, theater and temple, performance and priesthood are historically and culturally linked, once one and the same.

Synchronicity is symptomatic support by the universe of ones realization and pursuit of their individual spark of purpose. [And though I fear I might not be on the same page, now, as I was at the start of this paragraph, I might find that I am, ultimately, with even wider geometric dimensions.]

It is important to be reminded of the connection of the theater-temple connection, to be sure, but I must now also include a new entrepreneurial spirit, and one of aesthetic and design, that has also been ignored. Just as any interest in the written word has been. So now we have more four-pointed intersectionality between the stage and the mage, the artist and the commercialist. All of which is coming together in quite a unique way.

I thus feel that I am zeroing in on something more complex but no less essential a design for living. And it is rather through the elimination of obstacles, not the adding of new thoughts and influences, that the doors of my future self-perception, from this present perspection, shall open.

To view the original Sabian Symbol themed 2015 Blague corresponding to this day: Flashback! The degree of the Sabian Symbol may be higher than the one listed here  as the symbols cluminate in the next degree. There are 360  degrees spread over 365 days. 

 

Typos happen—I don’t have time or an intern to edit.*
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