Aquarius 3° (January 22)
Cool so I’m in the process of writing and I’m saying that at his best he openly dedicates himself to make him the world more beautiful bountiful blissful striving to provide lush landscape of experience in which the more the merrier people might share well admitting any personal benefit and so doing the less evolve tourist being in it for his own gain. Cover this have a claim material reward all forms of validation that are poor substitute for self esteem. Struggles with feeling they aren’t enough he isn’t enough in the particular challenge this sign is path desire to breed out his self deficiency the true test of this is whether or not the bull fellow can feel fulfilled despite real metaphoric mob fans. We’re not telling you to change your path is yours but we want you to own your true nature and try not to disguise your intentions you’re meant to be the most evocative of creatures master of self cultivation looking gardener designing To be appealing especially to those whose attention he wishes to capture. Presents his antihero naive differential point of self deprecation which charming if not put on. Whole of self understanding and appreciation hinged on recognizing fast ring celebrating what comes naturally to weed out invasive ill intent actions that might impair his personal growth.
And now for a note to some biches.
I know you have said that whenever we have changes to Sextrology you would happily take them on board for future printing, but have stopped short of wanting to do a new edition, a decision we have respected, while still managing to inspire complaint on that score.
In light of recent developments, I did want to offer you the opportunity to make some minor and a few important changes to the print version of Sextrology as we will be giving the eBook a well-appointed update on our end.
Our new book will be coming out in the Spring of 2022. And in the process of preparing for that we began by scrutinizing Sextrology to inventory our original concepts for development while warding against any direct repetition of ideas. In the process we flagged bits that needed simple updating (like mentioning devices like “pagers” and other outmoded references) while also addressing larger thematic threads needing fleshing out.
When Sextrology hit stalls in 2004 it was hailed as being groundbreaking and ahead of its time in regard to gender and sexuality. However, it is now viewed by younger readers, in particular, as being dated and “too binary.” The entire conversation about sexuality and gender has changed in the last seventeen years, and we will are drafting our new book with that steadily in mind., As we expect to turn on a whole new generation of readers to our work, we imagine driving a great many folks back to our previous books. And we intend these readers to find a modernized version of Sextrology that doesn’t seem “so 1950s” (as one young reader put it—that one hurt LOL) and one where we include some language that speaks to the modern conversation about transgender and non-binary people of each sign.
For starters we have written a new version of the introduction to set up a more inclusive conversation, mindful to make it the same size as to fit into the same pages. We mostly leave the existing text alone, but for a few tweaks and edits here and there. And we have physically eyeballed where it is we can add text to make the book more relevant. Because the format of Sextrology demanded that each chapter begin on a right-hand page, what Stella and I call “the snapshot” chapter opener, there is most often a blank left hand page. This means that if we shifted the “Couplings” at the end of each chapter, one page forward, we would have an entire blank page to work with for the edition of main text at the end of the chapter proper. It isn’t always the case, but often. In other cases there is simply a half or three quarters of a page to fill in to a chapter which could suffice for the addition of timely language.
I wouldn’t be getting anything to you until late Summer or early Autumn 2021. But perhaps we can have a chat at some point between now and then to map out what is feasible on your end. I am thinking of us of course, but I am also thinking of you. I would hate for readers to find Sextrology in what they would consider a dinosaur state. I realize more than ever how adamant you have been about not doing something new but we would request some kind of burst on the cover that said something like “New and Updated Edition.” I think that would be worth it to your sales to invest that small expense. We will certainly be marketing the ebook as such.
Other major news is that our second book was optioned by a top TV producer and that Starsky + Cox as a brand has been hired as consultants and “Living IP” for what we expect will be a great show. Miley Cyrus is already attached to this. As you know she is positioned as a modern, sex-positive figure. Her generation is obsessed with astrology in a way that previous ones have not been. She is in fact a perfect embodiment of our new reader to whom we want to appeal and for whom we need to make these textual changes to our previous works. The show is being sold to US and UK markets as the production company has tandem presence. Starsky + Cox will be named at least twice in the credits. Not to jinx anything, but if this comes to successful fruition, Sextrology might experience its best bump in sales to date.
The following blocks of text are exceprts from my first year of Blagues, nos. 1481-1485. I am reading through all of my Blagues, five per day, and posting some samples here. Now, in my sixth year of writing this Blague, by the time I get to my seventh, I will have journeyed through all the daily Blagues of my first five years. If that’s confusing I apologize. Year seven, I’ll only have to read through year six, once a day.
Here we are in the tricky sign of Gemini and let the games begin. This time of year coincides with my having to deal with a surplus of personalities. Which can itself be, well, tricky. We took a long beautiful walk to the South End and had a little brekkie at The Buttery. It amazes me how clueless staff at places like that are (during the days). It is like that in London too. I find, however, that in places like France and Italy there is more pride and professionalism in the work of someone, even as such, working a little breakfast counter somewhere. The French and Italians make that shit chic. They don’t phone it in the way we do, especially. It does drive me a bit bonkers. Stopped off at the bank and then another big stroll up the avenue. I had a giant breakfast burrito so I won’t eat again. After our client this afternoon, we walk all the way to Harvard Square. Tried to eat at Longfellow where we made a rezzie but the ladies next to us were so loud (bursts of faux laughter) and wait staff walked behind my chair which was just behind a column and bumped me every time and there was a private party taking over the whole upstairs and they had a lousy wine and food selection so really the place is only good for people who like to cocktail. So we high-tailed it downstairs to Alden & Harlow where we had the best meal we’ve had there in a real long while. Andrew was working and he is adorable and always has the best wine recommendations and we had a blast, then headed over to the American Repertory Theater to see We Live in Cairo, which was quite expert.
The sign of Virgo rules the digestion which also serves as a metaphor for our conscience—munching on experience it metes out the nutrients in our life from the detritus. In the sculpting of Pandora, Hepaestus utilizes the best features of each of the goddesses, making her a composite of these. Pandora means “all given.” We see the archetypal roots here of the Virgo male character which can lean toward the Svengali, being (a sometime male-chauvinist) Pygmalion, the Henry Higgins molding his Eliza Doolittle; and we see, too, the roots of the Virgo woman being something of a borrower herself—of all the women in the Zodiac she is most likely to cherry pick elements of style and even personality from other women she admires. It can come as a shock to her friends to see her morphing into them before their eyes. Slowly though she will morph out of being a collection of traits into a unique composition of influences, which is true of all of us to some extent. She will also let herself beSvengali’d (if we can make that a verb) doing little to stop it. The possessive implication of My Fair Ladyobjectifies the female; but we know, from both that musical or the original myth, that Eliza, the modern Galatea, being thus objectified, to use the vernacular, gave her life, literally in Galatea’s case, Pygmalion’s love being a most animating force that turned her from ivory to flesh. Galatea means “milk-white” a nod to the purity element inheritant in the Virgin sign.
The Virgo virgin depicted in the Zodiac, however, is not that Pandora or Galatea but rather the goddess Kore (who becomes Persephone, the Scorpio woman archetype, once Hades-Pluto abducts and drags her into his underworld). Kore is the “daughter,” or more accurately the maiden-form of Demeter, earth goddess of the harvest, correlating to Virgo’s August- September time frame, ending the first half of the astrological year, at Autumnual Equinox, the start of the next sign of LIbra. Demeter is also called Pandora, but in her case the name translates to “all giving.” She giveth and she taketh away. Demeter brings forth the bounties of the Earth when she is reunited with Kore half the year, then plunges us into winter forcing us to grieve along with her, the other half of the year, when Persephone takes her underworld throne. That is the power of the Virgo woman, in particular, who makes herself useful in the lives of others but, if unappreciated, recuses herself, leaving those who’ve come to rely on her at a loss. In our book Sextrologythe Virgo male and female chapters are called The Vehicleand The Vessel, respectively, both of which speak to being a catalyst and a crucible for substantive change, that either emanates from or is filtered through (or both) the human conscience.
In astrology, Chiron represents “the wounded healer” which is spot on Virgo theme. Long before Brené Brown made it her eternal watchword, we assigned the (positive) energy of “vulnerability” to the Virgo experience, in so far as it relates to humility, which translates to the acceptance of ones own human frailty. Virgo is not, as a rule, the competitive type. The energy of Virgo demures. We see this reflected in the sign’s symbol: The Mother-Earth (Mater/matter) M-shaped symbol with a final flourish that loops back, inward, onto and crossing itself, creating a hymen effect as befits astrology’s Virgin. This stands in contrast to the near-exact M-shaped symbol of Scorpio whose final flourish instead projects outward in a stinging arrow. We here see, in glyph-y form, the connection between the virgin Kore (Virgo experience) who becomes Persephone, the maker we all meet, in her Chotonian, underworld (Scorpio experience) aspect. Virgo is about purity lost, loss in general, as it relates to disability. Vulnerability, or as we prefer, humility, is an important aspect of the human condition, probably the most human among them. And Virgo people are, by all accounts, the most seemingly hurt of individuals, that being part of their superpower. It all depends on the nature of the Virgo individual—whether or not s/he is capable of taking some licks and being all the better for it; or if it, instead, creates a chip on the old shoulder, where a defense of victimhood, blaming others. instead defines the personality. There is little room to go there. Whereas, when one embraces ones vulnerability one can overcome it and empathize with others and allow it to positively change you on that alchemical level.
For Virgo, change is slow, despite the fact they may seem to suddenly disappear, ditching friends and whole social circles without notice. By paying closer attention you might have seen the Virgo straddling a new enclave, while still drawing benefits from an existing one. The sign rules the ages of 35-42, what has traditionally constituted middle-age (despite sweeping arrested development in our culture) and its namesake crisis; and Virgo people act-out from that perspective all their life, metaphorically getting facelifts or hairplugs or buying a red porsche, that is to say altering the shape and path of their own existence out of a sort of fear of mortality. Virgo people thus mold themselves to fit new situations and social groups. They will ingratiate themselves, serving purposes and working angles they deem necessary to gain acceptance. It’s like they take loss into their own hands, deciding what to lose, themselves, before it is taken away by external forces.
However, as ever, I am moving the spoon. Here some additional thoughts on the Libra experience:
In the history of the pantheon, Apollo is not an early arrival. Scholars note that much of his artsy estate originally belonged to Aphrodite/Venus, namesake of the sign’s planetary ruler. The second half of the Zodiac begins rather ironically: The so-called opposite sign of Aries (self) to Libra (other), Aries is a masculine sign fittingly ruled by Mars, followed by feminine Taurus ruled by female Venus. The second half of the Zodiac begins with Libra a masculine sign ruled by Venus, followed by Scorpio, a feminine sign ruled by Mars and Pluto. And so these feminine attributes of beauty, grace, love are conceptualized via the masculine, mental air sign of Libra into sexless, starry notions. Apollo is not a warm and cozy deity, and, despite his gleaming perfections, he is not his father Zeus’ inheritor—in fact Zeus fears Apollo will overthrow him. Thus Apollo is akin to another light-bringer, Lucifer and ultimately Luke Skywalker (a rather parapetic interpretation of the cardinal-air insignation of the sign!). Apollo’s introduction to the pantheon coincided, too, with the ideal (a very Libran word) of the love between males being a higher form than that of the heterosexual variety—in keeping with a cultural shift that newly favored the patriarchy, particularly in Athens (as opposed to feminist Sparta) where women had far fewer rights. Libra women might have metaphysically inherited an axe to grind on that score. They are as reclaimers and proponents of latent female power. Female archetypes of the sign include Astraea and Dike, both goddesses of justice, the former representing innocence on that score, the latter moral order and convention—they are associated and often interchangeable in mythology. Both goddesses, especially Astraea, are said to be the last to have lived among humans before abandoning earth for the sky, where these goddesses watch mankind in anticipation of the return of a Golden Age—indeed Astraea’s return to Earth would usher in a new era of enlightenment. (The Golden Age is associated with the rule of the deposed Titan-king, Saturn, whose namesake planet is exalted in the sign of Libra.)
Consciousness raising is the primary keynote of the sign of Libra. With the seventh astrological house being that of relationships, partnerships, contracts, the focus is on the social aspect of these assignations. Libra energy is duty bound to uplift others in the process of raising one’s own consciousness and spirit—this is the cosmic energy of Apollo and Astraea (Venus on the astral plane) and Dike who, like Apollo, carries a lyre and is laurel wreathed. It is for the love of humanity as a whole (in contrast to finding ones own humanity within via the previous sign of Virgo) that we hope to achieve this elevation. The biblical association with Libra are the Psalms which is the most lyric portion of the bible; it is made up of poems, songs, spells, really (complete with stage directions on lighting candles and like-actions to ritualize these magic words). In our book Sextrology, the male and female chapters are titled The Characterand The Charmrespectively, and the speak to the development of ones abstract element of self, our character, and the power we have to positively charge and charm others and the world around us (among other interpretations of these titles). Libra energy is about relationships and our social conscience as an evolution from the Virgo focus on the personal variety. It speaks to the invisible link between us all and the notion that none of us is free until all of us are. Whether from the pulpit or podium or soapbox or high priest/ess pedestal, the messages of equality and unity are clear—Venus energy is about union and, on the earthly Taurus level, it speaks to personal beauty, allure and attraction of the individual; here the energy is hinged on the beauty of high ideals and principles that unify us all, still, one relationship at a time, the seventh house ruling one-on-one relationships which, if you think about it, all our relationships are. The Venus symbol has been called the mirror of Aphrodite, and where it speaks to the physical beauty, attraction but also vanity and envy associated with Taurus, here, in Libra, being “the fairest of them all” is purely conception. The mirror is now purely metaphorical, designed for the searching of our own conscience and, indeed, our soul. In Libra, every other person is our mirror in whom we want to see reflected our our most ideal character and uplifted spirit.
The (male and female) Apollonian archetypes which most prominently reside in Libran people emphasize an intellectual experience of life over an emotional. Libra people, inhabiting the world of “light”, that of appearances and a higher, idealized consciousness, have difficulty digging below the surface of both their own psychology and more animal-instincets, as well as making deep connections with others. They can overemphasize a need for external order as a substitute for feeling internally sorted.
I will regale you now with some added thoughts on the Scorpio experience.
Scorpio rules the genitals and reproductive system, which we conceal, and, though it is the seat of certain desire, it also carries the metaphoric shadow aspects of shame and repression. Desire is something deeper than want, working through us rather then deriving from us. Sexual desire, or our brands thereof, isn’t something that we can alter, despite what Mike Pence might think; we can repress it, giving rise to emotional or psychological problems in so doing, or we can honor it as some inherent bit of cosmic real estate within over which our conscious mind has no sovereignty. It is desire that brings obtainment—again the so-called opposite signs of Taurus and Scorpio being hinged on having or possesion—only here, unlike Taurus which is about material possession, we are dealing with energetic, indeed psychic possession in the sign of Scorpio, the centerpiece of the third quadrant, that of the metaphysical mental plane.
In our book Sextrology the male and female chapters are titled The Strangerand The Specimen, respectively, speaking to the secret, stealthy, if not estranged, nature of the sign along with its focus on being an exemplary, essential and distilled creature who seeks to remain uncorrupted by external influences or forces. That Scorpio sting is really a strident refusal to people-please in any way. For all their secrecy, Scorpio people do not, as a rule, hide anything about their true natures; they are completely up front about who they are and what they believe, if not, again, experiencing their opinions as facts, being doggedly dogmatic. They simply feel no compulsion to share the details of their lives, even, or especially, with their closest friends or family. They hold themselves in extremely high esteem and though they are the most seductive of signs the never chase opportunities or people. Like a spider or a dragon or a snake in the grass, the silently lie in wait for others to enter into their experience—that said they tend to be worshipful of wealthy people, equating Pluto riches with personal power. Still, of all the signs they are most likely to take others hostage, emotionally or otherwise—they don’t put themselves out or change a thing about their own routine to accommodate others. When you’re with them it is on their terms; and even when they are invited guests, they will impose their strong influence on the proceedings, if only through the bringing along of games, side dishes, or gifts that one must play, sample or use straight away. There is a sense of their replecating themselves through others. And, among the most judgmental of individuals, if you don’t comply enough with their way (or the highway) you may be frozen out.
The sign of Scorpio rules the human ages of 49-56 which is associated with menopause or a supposed loss of power, which isn’t exactly the case. Like in the Scorpion months of October and November, when the outward appearance of life, leaves and all such foliage, falls away, reverting energy to the unseen root level, a point in the cycle of regeneration, such is the metaphoric snapshot of this age for the sign of Scorpio and its people who find the world of appearances to be fatuous on the whole. Not only is the (sexual) root chakra linked to Scorpio but one might say it is the proverbial place that people of the sign are coming from. Scientifically, even, menopause is said to be for women something of a renaissance of their mental life, long associated, mythically and throughout literature with the onset of increased wisdom. In the biblical line, Libra’s poetically lyrical Psalms are followed by Scorpio’s profoundly wise Proverbs. And though the Scorpio may appear icy on the outside, s/he is fairly smoldering within. We think of Persephone entranced (frozen) and silent on her throne, communicating telepathically to each departed soul, deciding their ultimate fate, and sending their souls in the direction of her choosing. She is herself a frozen asset, the barren queen of the underworld, who returns to the world of the living each year to resume her formal role as the goddess of springtime, Kore (the maiden of Virgo). Maid and crone but never mother (except that she is the maiden form of her own earth mother, Demeter), she is nonetheless a goddess of cycles and regeneration, life (springtime) and death (that maker we all meet).
Meaning is Scorpio’s life goal, thus they don’t seem designed for fun or even a simple happiness. They present as serious and superior, loath to suffer fools, even when wrestling with their own inner demons of self-doubt, insecurity and self-destructive tendencies. On that score they seem to withstand overindulgences in earthly delight better than most, often reveling in subversive actions, if not a certain decadent chic that can go along with it. It’s one of the ways they keep us guessing; and yet, if pressed, they are first to wear their insidious lifestly on their sleeve. They despise dishonesty in any form, and they get a secret thrill in flirting, if just a bit, with what might smack of a darker side of life. It fits their default rather pessimistic view. And even if living the most shiny, wholesome lifestyle, they will always find something to be self-loathing about. They can be seditious in relationships, talking behind the backs of even those who might consider them the closest friends. It’s just part and parcel of their love of intrigue and a cloak-and-dagger view of social interaction, but they risk taking gaslighting, especially, a bit too far. We say Scorpio doesn’t text as much as s/he subtexts, their words never intended just for face value. There is always something of a sting, a backhanded compliment, or a tiny twist of the knife. They take Taurus’ need to be liked to a new level, seeking to possess others, as if embodying an addictive substance to which others might become hooked. Scorpios make you feel you need them while all the while testing your mettle in putting up with (read: loving) them. They get into your head, like the cute but rather terrifying Lucy, in the Peanuts, ever playing the psychiatrist, scanning your psyche for root intent.
Anyway on to writing some new thoughts on the Sagittarius experience:
Dionysus represents nature asmale, he is god of ritual madness and religious ecstacy, a liberator and rule breaker and the only Olympian god to have a mortal parent. He isn’t pre-civilization wild, but rather embodies liberation from the restraints of existing society, the returnto a natural state. Thus his rites entailed the drinking of his wine and frenzied dancing, opening up the consciousness to altered, arguably higher states of mind while recapturing the wild animal level of being, all in all, a return to primordial nature. Though it mightn’t have appeased Hera, Dionysian cults and rites were mainly associated with, and driven by women, along with slaves, outlaws, foreigners and the otherwise marginalized. The rites included dancing to rhythmic beats, flinging ones head back, so to break on through to the other side. Sagittarius is the energy of lightning flashess of genius, where it borders on madness, blowing ones own noggin. We still see this same triggering of ecstaticism in evangelical churches, in voodoo practice, and in native american rituals. Sagittarius is the sign of the jazz, rock ‘n roll and the Beats (itself a combined duality of being beaten down and also beatific, raised high, all at the same time).
Dionysus carries a fennel staff topped with a pinecone, called the thyrsus, which, (somehow the ancients knew?), realtes to the pineal gland, where the two halves of the brain meet, the proverbial third eye. Like the opposite sign of Gemini, the Twins being one mortal one divine, pointing to that duality, Sagittarius, here, sees the half-mortal-half-divine Dionysus nonetheless coming together to enter the kingdom of heaven and take a coveted throne. Like the namesake Mercury, which rules Gemini, that messenger god is the psychopomp who can travel from the underworld of Hades to Olympus; and the late arriving Dionysus is likewise the communicant between the living and the dead; and like the androgynous adolsescent Mercury, Dionysus is described as man-womanish, bridging another duality. Juno is famed for blinding wise Tieresias (Dionysus’ high priest) who lived for times as both man and woman, for siding with Zeus as to which gender has more pleasure in sex (ironically, Zeus said women do). Tieresias was given second-sight in recompense—how Sagittarian. In our book Sextrology, the Sagittarius male and female chapters are titled The Maverick and The Maven, respectively, pointing to the wild, outside-the-box element as well as that of the doyenne enthusiast. In the Dionysian rites, the mainly women celebrants (maenads) tore apart live animals and ate raw flesh, reinacting Dionysus’ bloody beginnings of would-be death and rebirth. The word enthusiasm, literally meaning: letting the god enter (oneself), derives from this practice, in keeping with the exuberant energy of Sagittarius. The connection, marriage, of one’s mortal self with the divine is seen too in the notion of genius and lower-case juno, words that originally expressed the notion of an indwellling personal god. The concept of the male genie (god within the male) still exists in our collective imagination while its counterpart juno (the indwelling goddess in women) has been all been eradicated. The Sagittarian mottos I see and I understand both point to a certain divine gift of said genius which happens in lightning flashes. The arrow glyph of the sign suggests an ability to reach further than our human vision can take us—all fire signs are associated with weaponry: Aries (the warrior spear) and Leo (the sword as determines rightful kingship) and the expansive bow and arrow, here, which requires a certain leap of faith in hitting a desired mark. You might say this is one aspect of the Sagittarius superpower, the shadow side of which would be, among other things, blind risk-taking.
In the bliblical line, following wise Proverbs, associated with Scorpio, we come to the most ecstatic book of them all Ecclesiates, which matches the Sagittarian estate. It is the most life-affirming and yet fatalistic of books where we find the phrase “eat, drink and be merry,” so akin to Auntie Mame exclaiming that “life is a banquet and most poor suckers are starving to death. Taking huge bites out of life is what Sagittarius is all about. The age group associated with the sign is 56-62, when one is at the height of their worldly power (the realm of goddess Juno), the pinnacle of their professional career, at their most expert with fullest knowledge, preparing as big a golden parachute as they can. The eleventh house is that of omniscience as it relates to learning, travel, experience and all forms of expansion that may nurture one’s most compassionate and visionary nature.
Anyway today is about meditating on new Capricorn ideas.
The Capricorn motto is I use which is to day I don’t waste, neither time nor energy, or fritter away that which is worth preserving on that which on that which is not sustainable. The goat is built for the ascent but here’s the rub: Capricorn is the Sea Goat, and it has this fishy bit, which carries paradoxical meaning. Water sybmolizes intuition something Capricorns have in abundance, it also signifies emotion which we hope will fuel the Capricorn, not drag them down. The amphibious Sea Goat is also the perfect being to inhabit a metaphorical moutain-lake environment, the reservoir formed by restrictive power. Shan-gri-la is like golden-age Arcadia, where nobody ages. Just as the cardinal-water sign of Cancer, the so-called opposite of Capricorn, is the source, Capricorn is the resource; and just as Cancer is associated with the archetype of Cinderella, so is Capricorn personified as the fairy god mother, a female personification of one’s higher power. Capricorns, whose birthright energy is faith, tend more than others to be one and the same with their higher power. And on the male side, we associate going to the mountain with, among other archetypes, old Moses, who let’s himself go grey via the experience, just as baby Moses, going from mother to mother along the (cardinal-water) river, is associated with Cancer, ruled by the Moon, the mother principle in astrology. Just as the fairy godmother comes with strict instructions (the sign of Capricorn at the very top of the Zodiacal wheel, at twelve o’clock, the stroke of midnight) so too does Moses receive and thus deliver a list of rules and regulations, restrictions—shalt nots!—to lay on us, ten to be exact, the number associated with Capricorn. God also told Moses to build his tabernacle out of goat hair, one might guess, because of it’s enduring, eternal qualities.
That fishy bit of the Sea Goat, on the flipside of symbolizing feeling and intuition, also amounts to a bit of emotional baggage. Again, the sign’s motto should be triggered here, and the Capricorn individual should use it as fuel to further their ascent in life. The body parts ruled by the sign include the knees, the skeleton and the skin, which, taken metaphorically, points to pray or certain supplication, structure (and a love thereof), and that notion, again, of containment. The scapegoat derives from the worship of the goat-god Baal and worshippers would heap their own baggage and troubles and sins upon the back of said goat and send it off away, thus ritualizing their atonement. The signature melancholy that can be associated with Capricorn people speaks to this serious sense of renunciation and retibution inherent in the sign. There is an aspect to their life where they are forever doing penance. And ask any Capricorn if they feel scapegoated in general in their lives. Like many things astrological we can’t fully explain, most Capricorn people are left holding the bag as early as childhood, burdened with the care of fellow siblings or even their parents, having to be the grown-up in the room well before a normally appointed time. And, as we’ve seen, and not without fault or reason, the Capricorn man, especially, might suffer some pretty public displays of being scapegoated. Richard Nixon; Mel Gibson; Phil Spector, et al. Incarceration is, after all, a vivid manifestation of containment. Such drastic examples aside, the Capricorn experienced is hinged on the sign’s most potent superpower, that of Faith, the shadow-side of which is Fear. The word panic comes from that goat-god Pan. The word tragedy comes from the Greek tragodiameaning goat song. The color ruled by the sign is black, a color typically worn by priests and nuns, as it is meant to absorb negativity, to take on that responsibility, as to save the rest of us, much the way they pray, on their Cap-ruled kneecaps, for the good of all humanity. We’ve said it before but: Capricorns by nature put the nun in renunciation.
In our book Sextrology, the Capricorn male and female chapters are titled The Stickler and The Sleeper, respectively, pointing to the hard-line traditionalist energy, as well as the subtle but enduring, slow-burn success associated with the sign. Capricorn rules the ages of 62-69, the usual age of retirement falling into that span. Their love of loafters, ascots, caftans, sandals and other such leisure wear not withstanding, people of the sign embody the mindset of having already achieved their desired life goals. There is something of a self-help lesson in that as the Capricorn naturally acts as if; and though natives of the sign are no strangers to steep climbs, uphill battles and other such tests of endurance they are paradoxically the most accepting, least rushed and, sometimes seemingly unambitious of folks as their life journeys are taken up gradually with constant opportunites for stopping to smell the roses and enjoy the view, all the while being steady as she goes. Because they more readily accept the difficulties of life, they tend to process them more thoroughly, if not readily; and as a rule life becomes easier, and the Capricorn character more light-hearted over time. Of all the signs, they are the hands-down late bloomers. To boot, they don’t suffer burnout the way the rest of us can, as they allow even the harder knocks in life to toughen them up, conditioning their body, minds and spirits, so they become increasingly able to not only withstand but transcend what might trip up others. They are especially impervious to the opinions of others, exuding what might considered a natural superiority—the tenth house is that of status as well as public life—presenting as unflappable and insouciant and forever going higher, lest we forget Michelle Obama is born under this sign, as are other people, women especially, whom we might ultimately label iconic (never lightweight) including Betty White, Patti Smith, Maggie Smith, Annie Lennox, Dolly Parton, Julia Louis-Dreyfus, Mary J. Blige, Marelene Dietrich, Diane Keaton, Katy Sagal, Sissy Spacek, Annie Lennox, not to mention some supermodels called Kate, Christy and Helena all of whom seem to improve with age, none of whom are swayed by outside opinion.
To view the original Sabian Symbol themed 2015 Cosmic Blague corresponding to this day: Flashback! And also Flashback! The degree point of the Sabian Symbol may at times be one degree higher than the one listed here. The Blague portrays the starting degree of for this day ( 0°, for instance), as I typically post in the morning, while the Sabian number corresponds to the end point (1°) of that same 0°-1° period. There are 360 degrees spread over 365/6 days per year—so they nearly, but not exactly, correlate.
Typos happen. I don’t have a proofreader. And I like to just write, post and go! Copyright 2020 Wheel Atelier Inc. All Rights Reserved. Get your HAUTE ASTROLOGY 2020 Weekly Horoscope ebooks by Starsky + Cox.